Alice in Wonderland inspired. This video is creative and is definitely a video you have to watch!
Man On The Moon: The End Of Day - Asteroid Trailer from DP on Vimeo.
This new video trailer shows cudi falling in space. It it played to the tune of Sky Might Fall. Album is going to be ill.
This app will revolutionize the way we operate our Iphones. :)
Cincinnati really? Whatever looked pretty cool.
Chris Brown has gone from the top to the very bottom
Though he said "Jay is a talented mother- %^&$%^" he does call him out.
A few hours ago, I sat down with Mr. Scott Mescudi aka Kid Cudi aka Mr. Man On The Moon.
The last time I interview him, he took me for a walk through Hyde Park so I wasnt sure what to expect this time. As I set up my equipment, I had the our previous interview on playing on my laptop. What was fantastic was that Cudi had already seen the interview. He told me the footage and interview showed alot of people back home the love you can get in London.
Back to the interview. From those who have heard the album, they have all told me that Cudi’s new album is “out there” and is something “you wouldnt expect from him”. That had me intrigued because alot of artists play it safe with their first album but Cudi isnt. So we kicked off the interview with whether it was a conscious decision to make an album that was out of his comfort zone.
Cudi also talks to me about a few tracks on the new album including “Heart Of A Lion (Kid Cudi Theme Music)” and “My World”. The artist tells me that “Heart Of A Lion” is like his “Eye Of The Tiger”.
Towards the end of the interview, Cudi breaks down the Acts in the Scene List and the titles behind them.
Finally the rapper reveals that he is working on his next album but before he puts that out, he wants to release a “compilation album” working with the likes of Kenna, Gree
n Day, Chad Hugo from the Neptunes and many others.
New Sean Kingston music video. This is a sick video!! Must watch
On September 7, 2008, Lil Wayne stepped onstage at the MTV Video Music Awards and then stepped decisively away from the words on the lyric sheet circulating in the audience with the following lines… I’m on my Disney thang, goofy flow/ I’m Captain Hook on the beat and my new car is Rufio/ Damn where my roof just go/ I’m somebody that you should know/ Get to shakin’ somethin’ cause that’s what [deleted] produced it fo’/ I make mistakes that I don’t ever make excuses fo’/ Leavin’ girls that love me and constantly seducing hoes/ I’m losing my mind like, Damn where my roof just go/ Top slipped off like Janet at the Super Bowl Then, as Leona Lewis launched into the hook of Nina Simone’s “Please Don’t Let Me Be Misunderstood,” he croaked, “Drizzy Drake: I love you, bwoy!” That namecheck was the only clue to most attendees that Wayne had just blatantly violated the unwritten rules of his own freestyle game by spitting another artist’s words. Though almost lost in host Russell Brand’s commentary on promise rings and presidential politics, it was a coronation moment rarely seen in the arena of rap, and with one verse, Wayne introduced the name of his protégé to the mainstream in dramatic fashion. Amongst those already familiar with the various Wayne-affiliated rookies collectively known as Young Money, the lines sparked a fierce debate over whether Drake was in fact ghostwriting for the master (he and Wayne both still claim he never has), but by the time the rap blog drama blew over, one thing seemed clear: Drake was the next big thing, heir apparent to Wayne’s multi-platinum throne and Young Money’s most likely flagship artist. The buzz was confirmed by the radio phenomenon of “Best I Ever Had,” a soft rock-sampling mixtape track that hit #1 on numerous charts without major label support or even a record deal in place. But a second look made this passing of the torch seem like an unlikely proposition. Drake shares with Wayne a certain manchild vocal tone, but their styles are almost antonyms. Where Wayne rides his stream-of-consciousness through drug and gunplay into Freudian—almost hallucinatory—nursery rhymes, Drake hews rigorously close to the guidelines of rap formalism, pumping an incredible volume of two- and three-syllable schemes out of the same subjects: girls, multi-colored whips and his skill in the booth. He seems to depart from this formula only to talk about his emotional state, an introspection that usually happens when he shifts from rap mode into catchy and sometimes haunting R&B. On his own records, he abandons Southern double-time to push genre boundaries more like Kanye, rapping over chopped-and-filtered snatches of Coldplay, Lykke Li and Peter Bjorn & John. The differences only get starker if you compare Drake’s bio to his project-raised, tattooed and codeine-addicted mentor. Though born in Memphis, Aubrey Drake Graham was raised in Forest Hills, an affluent enclave of Toronto that is about as far in mood and geography from New Orleans as you could get without a land bridge. Before he ever considered being a rapper, Drake was a child actor, portraying athlete Jimmy Brooks on the Canadian teen drama Degrassi: The Next Generation. His father, Dennis Graham, was a drummer for Jerry Lee Lewis, and he is nephew to both legendary bassist Larry Graham and Teenie Hodges—a guitarist best known for co-writing some of Al Green’s ’70s classics who’s played with everyone from Talking Heads to Cat Power. Read the rest here 
Who is it? You'll have to watch to find out.
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